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The shroud of turin new carbon dating

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The question immediately arises, “If the Shroud is a medieval forgery how did they do that?” Professor Nicholas Allen of South Africa proposed that the materials and knowledge to produce a “photograph” existed in the Middle Ages.The oils allowed the pollens, as fortuitous ingredients, to be absorbed and hidden in the shroud’s fabric like invisible evidence of an extraordinary historical event.” Using a electron microscope, Boi identified the pollen on the Shroud as “from a plant called Helichrysum which is part of the Asteraceae family” (29.1%), Cistaceae pollen (8.2%), Apiaceae pollen (4.2%), and trace amounts of Pistacia pollen (0.6%).She writes: They are the components of the most precious oils and ointments of the time and have extraordinarily remained sealed in the [Shroud’s] fabric…Like a tennis ball, the hypotheses are whacked back and forth.One scientist proposes a new idea of how the mysterious Shroud could have been produced only to have another researcher argue that it was impossible.These discoveries have an ethno-cultural meaning linked to ancient funeral practices.

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Marzia Boi, a university researcher at the University of the Balearic Islands and an expert in Palynology, the science that studies pollen, wrote: “The pollen traces on the Holy Shroud which have so far been linked to the geographic origin of the relic reveal what oils and ointments were put both on the body and on the sheet.It is, they believe, the burial cloth of Jesus Christ.It has been venerated as such for centuries, and since the 17th century, when it came to Turin, has been the cathedral’s best-known a rectangular 14 ft 5 in × 3 ft 7 in piece of woven flax cloth, believed by Christians to be the burial cloth of Jesus.The cloth bears the faint, brownish 3D imprint of the front and back view of the face and body of a bearded naked man — muscular and tall (various experts have measured him as from 5 ft 7 in to 6 ft 2 in).In 2004, Professors Giulio Fanti and Roberto Maggiolo of the Department of Mechanical Engineering at the University of Padua in their study, “The Double Superficiality of the Frontal Image of the Turin Shroud.” They concluded there exists a second, even fainter face image on the backside of the Shroud of Turin, corresponding but not identical to the now-familiar face image of the crucified man seen in head-to-head dorsal and ventral views on the front side.